T H E M E S
FOREWORD OF THE PUBLISHER
OUVERTURE
THE
IMMORTAL ENCHANTED REALM
•
The Queen of Arts
•
The
Queen of Wisdom
•
Absolute
Music
. The
World of Enlivened Silence
. The
Origin of the Art of Sound
. Responsible
Authorship
. The
Firmament of Music
. Creative
Music Listening
. Writing
Down the Score
. The
Conventional Practice of Notation
. The
Error of the Interpreter
. The
Language of Truth
. The
Technology of Human Forces
. The
Classical Scope of Music
. The
Universe of Musical Sound-Spaces
. Authentic
Conveyance of Truth
. The
Musical Career
. The
Creative Craft
. The
Dimension of Music
. The
Beginning and End of Creating Music
. The
Natural Seat of the Musical Creator
. Control
over the Composition
. The
Free, Inner, Formative Will
. The
Emperor of Music
. The
Study of Musical Creativity
. Conventional
Knowledge of Music
. Modern
Music Analysis Music
. The
Musical Performers and Their Laws
. The
Motif
. The
Masculine and the Feminine Musical Motif
. Training
the Free Formative Will
. Motif
Recognition
. Motif-Technique
. Power
and Powerlessness of Musical Interpretation
. Scenes
from the Inner World of Human Evolution
. Integration
of Levels of Creativity
. The
Differentiated Apprehension of the Power
of
the Harmony
. The
Perfection of the Formative Forces in Music
. The
Melody
. The
Manifold Shape of the Melody
. The
Path of the Human Character in the
Musical
Form
. The
Sequence in Music
. The
Gate of Harmony to the Outer Music
. Supreme
Musical Knowledge
. Safeguarding
the Individual Path of Life
. The
Deeper Musical Sense
. The
Concept of Space in Music
. The
Concept of Space in Music
. The
Two Ways of Experiencing Space
. Space-Experience
in the Microcosm of Music
. Space-Time
Integration in Music
. Space-Time
Fusion through the Integration
of
the Musical Spaces
. The
Integrated Play of Time and Space
. The
Potential of the Musician
. The
Relationship of Rhythm and Tonality
. Field
of Cognition Enlivened Silence
. The
Core of Practising the Art of Music
. Conventional
and Modern Mechanisms
of
Musical Performance
PART
VIII
THE
PHYSICS OF MUSIC
. The
Dimension of the Tone
. Mastery
over the Instrument
. Freedom
of the Musician
. The
System of the Conventional Presentation
of
Sound
. Unlimited
Potential for Structuring the Musical
Sound-Space
. The
Fixed Tone
. Modern
Sound Production
. The
Long Forgotten World of the Microcosm
of
Music
. Entering
the True World of Music
. Musical
Sovereignty in the Inner-Tonal Planetary Systems
. The
Inner World of Power of the Melody
. Tonality
. Differences
in Understanding as Reflected
by
Language
. The
Beginnings of Musical History
. The
New Sound Composers of the 20th Century
. Advancing
to the Transcendental Play of Music
. Musical
Insight into the Culture of Peoples
. Musical
Relationships
. The
Musical Path to Self-Knowlegde
. Homophony
. Polyphony
. The
Counterpoint
. The
Threefold Perfect Form of the Harmony
. Relations
in Music
. The
Image of Musical Beauty
. The
Embodiments of Harmony
. Motivation
and Responsibility of the Musician
. Reversal
of the Reality of Creating Music
. Analysis
of the Process of Creating Music
. Music
Theory
. The
Natural Potential of the True Artist
. Synthesis
of the Artistic and Cultural Achievement
of
Music
. Scope
of the Science of Music
. The
Inner Breath of Music
. The
Function of the Inner Breath in Music
. The
Scientific Aspect in Music
. The
Perfect Musical Description
. The
Twofold System of Music Analysis
of
the Composer
. The
Aspect of Humanities in Music
. The
True Field of Science in Music
. The
Sociology of Music
. The
Ecology of Music
. The
Physics of Music
. The
Physiology of Music
. The
Economy of Music
. Music
Critique
. Dance
in Music
. Speech
. The
Superiority of Music over the Language
of
Today
. Fundamental
Research
. The
Organ of Speech
. The
Smithy of Thoughts
. Sovereignty
over Bound and Free Creativity
. The
Dimension of Creative Unfoldment
. Control
over the World of Thinking
. Content
and Form, Meaning and Structure
. The
Share of the Senses of Perception in the Process of
Gaining Knowledge
. The
Language of Music
. How
Our Ancestors Used Language
. Conclusions
from the Ancient Records
. The
Legacy of Our Ancestors
. The
Task Set by Our Ancestors
© AAR EDITION INTERNATIONAL 1982